The Best Way To Learn How To Read Tabs

Learning how to read tabs is essential for every guitarist – So what are you waiting for? Let’s get to it!

how-to-read-tabs

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In this free lesson you will learn…

  • The secret to reading tabs effectively
  • The similarities between tablature and notation
  • The difference between melody and harmony
  • The limitations of tablature

Want To Learn How To Read Tabs?

If all you wanted to do was learn to play an awesome guitar song, and you went through all the trouble of looking it up online only to find some crazy set of lines with numbers and other indecipherable little marks on them – then you my friend, have entered the world of guitar tablature!

Tablature, or Tab for short, is modified notation that is used frequently for fretted stringed instruments like guitar, bass, banjo, mandolin, and ukulele.

  • As we’ll see, Tab is an amazing way to map out what to play on the guitar whether or not you can already read standard notation.
  • Sometimes tabs appear in conjunction with standard notation, but your ability to read tablature is totally different from your ability to read standard notation.
  • This means that tablature is useful for everyone, and a very popular and common way to express music in written form.

This lesson is going to get you from “I thought tab was something I left open on my web browser” to “I can totally play that guitar solo!”

how-to-read-tabs

How to Read Tabs: Basic Layout

To understand how to read tabs, it’s necessary to get the basic layout figured out. It’s simpler than standard notation, but there are some aspects of it that are not exactly intuitive.

How to Read Tabs: the Strings

The first thing to notice is that there is a staff of six horizontal lines running across the page. Those are the strings.

how-to-read-tabs

There’s one line for each string of the guitar, but the thing that you need to remember is that the strings are upside down.

  • From top to bottom, they go E B G D A E, so unless you are a lefty, those strings do not appear the way they sit on your guitar when you are holding it.
  • The simple reason for that is tablature mimics standard notation by having the lowest string lowest on the page.
  • In standard notation, the lower you are on the staff, the lower the note. That isn’t a hundred percent true when applied to tablature, but it’s the way tab is laid out.

It’s easy to read once you make that flip.

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With this in mind, we created a cheat-sheet; a key and scale-finder that you can use again and again.

How to Read Tabs: the Frets

The other main feature of tab is the numbers. They’re just fret numbers! They are not finger numbers, although sometimes fret and finger numbers coincide.

Here, you’ll see numbers all over the lines. Each of those numbers is a single note that you play by putting the most convenient finger on the string indicated at the fret number indicated.

how-to-read-tabs

See how sometimes the numbers are right on top of each other and sometimes they’re in a row?

  • This also emulates standard notation in that when the numbers are on top of each other, you play those strings at the same time.
  • The vertical dotted line running through the tab every once in a while is a bar line.
  • If a tab is any good, it has these bar lines to separate the tab into measures – regular repeating groups of beats.

Most of the time, the measures in tab separate the music into groups of four beats, no matter how many notes you’re supposed to play in those four beats.

Some tabs don’t have bar lines, and the lines do not affect the way you are supposed to play the music. More on that later.

how-to-read-tabs

How to Read Tabs: Playing a Melody

Tablature is an excellent format for showing you exactly where on the guitar you need to play to get the notes you want.

The notes you want generally come in two forms: melody and harmony.

  • Melody is what we think of when we think of how a song goes. The strict rule about melody is that it happens one note at a time.
  • More than one note can (and does) happen in music all the time, but anything that is not the melody is considered harmony.
  • Another way to think about harmony is that it is all the other notes in the song that are not the melody.

It’s easy to tell them apart in the songs where the melody is sung!

Here is a sparkly little melody for you to try, three ways.

how-to-read-tabs

Each example contains the same notes, but they are located in different places on the guitar.

  • They’re useful for different purposes: the first example helps you see how the notes move higher and lower on the guitar.
  • The second example helps you see how melodies move across the strings on the guitar and where notes overlap on the strings.

The third example shows you how to play a melody without having to deal with any open strings, which means it is easy to put the melody in a different key just by shifting everything up or down.

For example, you can move the melody up three frets by adding 3 to every number you see.

how-to-read-tabs

Pro-Tip: When learning how to read tabs, try playing the melodies with a flatpick and with your fingers. It’s good to experiment to see which feels better and more natural. If you are interested in playing melodies on the guitar and you’d like to see where to go next, check out this lesson: One-String Guitar Songs

How to Read Tabs: Playing Harmony

If melody is how the song goes, harmony encompasses all of the other notes happening to support that melody. Harmony happens whenever more than one note is playing at a time.

When figuring out how to read tabs, it’s helpful to know that there are two basic types of harmony playing that show up frequently: chord playing and fingerstyle harmony.

How to Read Tabs: When Chords Show Up

One of the main things I wish someone had told me when I was first learning how to read tabs is that if you see a stack of numbers three or more deep, that symbolizes a chord shape, and it is usually a chord shape that you already know.

Check out this tab and see if you can decode the chords.

reading-tableture

To be fair, most tablature exists because the information you need to play a song cannot fit neatly into a chordbox. Chordboxes are a much better way to express chords.

If you would like some support in reading chordboxes, check out this lesson on how to read guitar chords.

How to Read Tabs: Fingerstyle Harmony

One of the main reasons guitar tab exists is to teach fingerstyle guitar.

It makes learning fingerstyle arrangements of songs much easier to figure out, and learning how to read tabs of those arrangements can be straightforward

This kind of harmony tends to have two features: bass notes (or alternating bass notes) and arpeggiated chords.

Huh?

Arpeggiation is just the fancy word for chords that are broken up so that you only play them one note at a time. Here is some tablature expressing an arpeggiated G major chord. Note the fret numbers on the strings and you’ll see the G chord!

how-to-understand-tabs

Given the popularity of this type of tablature (where the harmony is arranged for fingerstyle and/or mixed in with the melody), it’s worth investigating fingerstyle guitar to learn how to read tabs and then to play them more efficiently.

Check out this really helpful fingerstyle lesson below:

Fingerstyle Guitar Lessons – 5 Easy Ways to Sound Amazing

reading-tabs

How To Read Tabs: The Unfortunate Limitations Of Tablature

For all of the great advantages of learning how to read tabs – the certainty of where to go on the neck, the ease of figuring out exactly what you have to do to play the song – there are a couple of things that tablature does not know how to do very well.

Listen For The Rhythm!

Tablature is, by and large, terrible at telling you when to play what it says to play. Some tabs don’t even have bar lines in them!

This is partly the result of tabs being widely available for free on the Internet, where you definitely get what you pay for unless you luck into something as detailed as this:

Guitar-tabs

The above taken from a rather excellent tablature for Simon and Garfunkel’s “April Come She Will.”

Most tablature has bar lines, but a lot of it does not tell you exactly when, within the measure, to play the notes it gives you. It tends to look more like this:

Guitar-tableture

This is also good tab, for Passenger’s “Let Her Go,” but it does not give you an indication of where the beat is, where the measure is, or when to play any of these notes.

  • That doesn’t make the tablature wrong, though!
  • One major part of figuring out how to read tabs is looking at the notes you are supposed to play and matching them up with your recording of the song.

Then you can use the tab as it was intended to be used – as a tool for figuring out how to play the song.

Which Fingers Am I Supposed to Use?

Another area where tablature is not really designed to help you is figuring out which fingers you should use to play the tab.

It gives you fret numbers, but it does not instruct you on how to get your fretting hand to play the notes.

One way to start to unravel that is to take a look at your tab section by section and look for groupings of notes within two or three frets, like this.

guitar-tableture-explained

Once you figure out this tab, you’ll know the song, but in the meantime, take a look at these numbers four at a time.

They’re within a fret of each other.

That means that you can play this section of tab four notes at a time, including the open D string, and move your hand down the neck bit by bit.

guitar-tabs

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How to Read Tabs: Other Markings in Tablature

Apart from the fret numbers, you’re going to run across some other markings in tablature. Here is a quick rundown of some of the most common ones.

Up Strum, Down Strum

When there are chords in guitar tablature, or any other kind of music, sometimes it is indicated by down strum and up strum symbols. Many people just use arrows, but there is also this:

Hammer-Ons and Pull-Offs

Hammer-ons and pull-offs are markings that indicate phrasing, which is the term used for how to connect your guitar notes without re-plucking a string.

Phrasing turns the “words” of your notes into meaningful sentences, hence the term “phrasing.”

  • A hammer-on, which is exactly what it sounds like (hammer your finger onto the string to make the note sound), is a way to go up in pitch.
  • A pull-off (pull your finger a little bit sideways off of the string, so that you are almost plucking the string with your fretting finger) is a way to go down in pitch.

They are frequently abbreviated “h” and “p”.

Here is an example of some tab with hammer-ons and pull-offs.

That’s the intro to “Over the Hills and Far Away” by Led Zeppelin.

It has no bar lines, so it’s hard to tell, but if you practice this little bit of tab, you’ll start to hear the song!

Sliding and Bending

Sliding is pretty self-explanatory. You slide up or down the neck from the first fret indicated to the next fret indicated. It looks like this.

This is the intro to “No Rain” by Blind Melon.

Bending is a little bit trickier. To bend the string, you have to grab it, usually by more than one finger, and pull or push the string itself to change the pitch of the string.

Here is a little string-bend in the intro to “Folsom Prison Blues” by Johnny Cash – a tune that can easily help us learn how to read tabs.

Pro-Tip: Bending strings is not as hard as it seems! Line your fingers up on the string and use your hand strength to bend the string.

Whether you bend “in”, curling your fingers up further, or “out,” straightening your fingers, is a matter of personal preference and sometimes a matter of which string you’re trying to bend and how far.

guitar-tabs

Putting It All Together

Figuring out how to read tabs can be as frustrating as it is fun!

If you are unsure of the quality of the tab, check out the “authentic tab version” books available on Amazon or your music bookseller for your favorite artists.

Nothing beats the help of a local teacher in decoding tablature.

With private guitar lessons or guitar classes, you can use tabs to learn songs, help yourself learn by ear, and eventually write your own tabs! Keep on keeping on, guitar players!

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